1712-1793 Italian Francesco Guardi Galleries Francesco Guardi was born in Venice into a family of lesser nobility from Trentino. His father Domenico (born in 1678) and his brothers Niccolo and Gian Antonio were also painters, the latter inheriting the family workshop after the father's death in 1716. They probably all contributed as a team to some of the larger commissions later attributed to Francesco. His sister Maria Cecilia married the pre-eminent Veneto-European painter of his epoch, Giovanni Battista Tiepolo. In 1735, Guardi moved to the workshop of Michele Marieschi, where he remained until 1743. His first certain works is from 1738, for a parish at Vigo d'Anuania, in Trentino. In this period he worked alongside his better-known brother, Gian Antonio. The first work signed by Francesco is a Saint Adoring the Eucarist (circa 1739). His works in this period included landscapes as well as figure representations. His early vedutas show influence both from Canaletto and Luca Carlevarijs. On February 15, 1757 he married Maria Mattea Pagani, the daughter of painter Matteo Pagani. In the same year his brother Gian Antonio died and his first son, Vincenzo, was born. His second son, Giacomo, was born in 1764. In 1763 he worked in Murano, in the church of San Pietro Martire, finishing a Miracle of a Dominican Saint clearly influenced by Alessandro Magnasco in its quasi-expressionistic style. Francesco Guardi's most important later works include the Doge's Feasts, a series of twelve canvases celebrating the ceremonies held in 1763 for the election of Doge Alvise IV Mocenigo. In his later years, Canaletto's influence on his art diminished, as showed by the Piazzetta in the Ca' d'Oro of Venice. In circa 1778, he painted the severe Holy Trinity Appearing to Sts. Peter and Paul in the parish church of Roncegno. Miracle of a Dominicane Saint (1763), Lugano, private collection.In 1782 Guardi was commissioned by the Venetian government six canvases to celebrate the visit of the Russian Archdukes in the city, of which only two remain, and two others for that of Pope Pius VI. On September 12 of that year he was admitted to the Fine Art Academy of Venice. A stronger attention to colours is present in late works such as the Concerto of 80 Orphans of 1782, now in Munich, in the Façade of Palace with Staircase in the Accademia Carrara of Bergamo. Guardi died at Venice in 1793.  Related Paintings of Francesco Guardi :. | Departure of Bucentaure towards the Lido of Venice on Ascension Day | Ladies-Concert at the Philharmonic Hall | View of a Square with Palace | The Departure of the Doge on Ascension Day | Schiffe im Meeresgewitter |
Related Artists:
George John Pinwell,RWS
1842-1875 English illustrator and painter. He was born in humble circumstances and was largely untrained. He was briefly a student at St Martin's Lane Art School and at Heatherley's. From 1863 he contributed woodblock illustrations to magazines, establishing his reputation in 1865 with the Dalziel brothers' editions of The Arabian Nights and The Works of Oliver Goldsmith. Pinwell's finest drawings were commissioned for the Dalziels' poetry gift-books. With another illustrator, John William North (1842-1924), he worked at Halsway Manor in Somerset in 1865, experimenting with formal effects based on the structure of stone farm buildings or on the wooden beams of barn interiors (his drawings do not seem to have survived). Some of the illustrations for A Round of Days (1866) and Wayside Posies (1867) present an ideal vision of the countryside, but a vein of social concern is also present. In The Journey's End, from Wayside Posies, a strolling player lies dead, worn out by hardship and hunger. For an illustrated edition of Jean Ingelow's Poems (1867),
CAMBIASO, Luca
Italian Mannerist Painter, 1527-1585 1527?C85, leading Italian painter and sculptor of the Genoese school, known also as Luchetto da Genova; son and pupil of Giovanni Cambiaso, a fresco painter. His inventiveness and facile execution in both oil and fresco won him early recognition. His best works are in churches and palaces of Genoa and vicinity. In 1583 he went to Spain, where he worked on the decoration of the Escorial.
MAULBERTSCH, Franz Anton
Austrian Painter, 1724-1796 Austrian painter. His work as a painter of both oil paintings and frescoes on religious, mythological and occasionally worldly themes spanned the second half of the 18th century, adapting a Late Baroque training to the onset of Neo-classicism but remaining strikingly individual throughout. His fresco work, mostly still in situ in widespread central European locations, came at the end of an artistic tradition and was for long neglected, being far from major cultural centres; but it is now seen to establish him as one of the leading painters of his century